Dr. Sarah Lowndes is a writer and curator and lecturer at Glasgow School of Art, whose research focuses on artist-led projects, interdisciplinary and performance-related practice and contemporary art. Her publications include Social Sculpture: The Rise of the Glasgow Art Scene (2010), All Art is Political: Writings on Performative Art (2014) and The DIY Movement in Art, Music and Publishing: Subjugated Knowledges (forthcoming, Routledge, 2016). She has contributed to many art magazines including FriezeArt on PaperUntitledSpike Art Quarterly and Afterall and to catalogues for international institutions. Lowndes also curates exhibitions and projects such as Three Blows (2008), Votive (2009), Urlibido (2010), the sculpture park Dialogue of Hands (2012), Studio 58: Women Artists in Glasgow Since WWII (Mackintosh Museum, Glasgow, 2012) and The Glasgow Weekend: Art, Design and Music from Glasgow (Volksbuehne, Berlin, 2013) and is the editor of the bi-annual prose, poetry and art magazine The Burning Sand.



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